The Editing of American Literature, 1890-1930: Essays and Reviews


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LIST OF WORKS

Cohen, Introduction, w: Devils and angels…, s. Shillingsburg, The autonomous author, the sociology of texts, and the polemics of textual criticism, w: Devils and angels…, s. Greetham, W. Wellek, A. Krycki, red. McGann, The beauty of inflections. Literary investigations in historical method and theory, Clarendon Press, New York , s. McGann, Social values and poetic acts. The historical judgment of literary work. Shillingsburg, Scholarly editing in the computer age. Housman, Selected prose, ed.


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Carter, Cambridge University Press, Cambridge , s. Sutherland, Anglo-American editorial theory, w: The Cambridge companion to textual scholarship, ed. Fraisat, J. Flanders, Cambridge University Press, Cambridge , s. Editorial theory in the humanities, ed.

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G Bornstein, R. Sutherland, Anglo-American editorial theory, s. McGann, Correspondence, 20 December , w: D. Greetham [Textual] criticism…, s. Bornstein, What is the text of a poem by Yeats? McGaan, Marking texts of many dimensions, w: A companion to digital humanities, ed. Schreibman, R. Siemens, J. Unswotrh, Blackwell Publishers, Oxford Cohen, D.

Table Of Contents

Jackson, Notes on emerging paradigms in editorial theory, w: Devils and angels…, s. Bennet, Feminism and editing Mary Wollstonecraft Shelley: the editor and? Eighteenth-century legislation, beginning with the Constitution, set a legal precedent for the debate that would rage for the next seventy-five years. When the Constitution was ratified in , it included two compromises on the slavery issue.

First, only three-fifths of the slaves in a state were counted for taxation and representation purposes. Second, Congress was prohibited from ending the importation of slaves for twenty years.

Table Of Contents

This history includes a brief discussion of such legislation as the prohibition of U. The debate over slavery often moved from the houses of government to the houses of God. Some of the ways in which the Church supported slavery are blatant. The distinction here made between the temporary servitude of the Israelite and the perpetual bondage of the heathen race, is too plain for controversy. Searches on terms such as Bible , church , and scripture offer a number of other pamphlets that use biblical passages to make their case.

For some Christians, the ethical questions surrounding slavery were as open to interpretation as the biblical passages they cited. When describing an encounter that he had with a slaveholding friend, Fisher explains that this man was a good Christian despite his moral flaw:.

If he could have seen the wrong, he would have forsaken it. He has always dwelt in the midst of slavery, and of course been under its blinding influence. That brother, though a slaveholder, I believe was a christian. You may charge me with countenancing and fellowshipping slavery, but I can bear that, knowing how baseless.

The Editing of American Literature, 1890-1930: Essays and Reviews

The strengths of English are exemplified in the education of African natives:. Christianity is using the English language on our coast as a main and mighty lever for Anglicising our native population, as well as for their evangelization. Hundreds of native youth have acquired a knowledge of English in Mission Schools, and then in their manhood have carried this acquisition forth, with its wealth and elevation, to numerous heathen homes. This collection is a rich resource of materials that can support a thorough, in-depth investigation into the complex history of the institution of slavery and the issues surrounding it.

One facet of this history is the colonization effort that began in with the formation of the American Colonization Society. The term, White Supremacist Literature , introduces a number of arguments against emancipation from citizens of the North. Former-slave narratives provide an opportunity to analyze issues of authorship, while congressional speeches provide a look at the impact of contention in politics. From the Cover of "Narrative of Henry Watson," Some abolitionist tracts offered accounts of the hardships of slavery straight from the pens of former slaves.

A search on narrative yields six pamphlets that are attributed to former slaves. For example, J. Why was I born black?


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It would have been better had I not been born at all. Only yesterday, my mother was sold to go to, not one of us knows where, and I am left alone, and I have no hope of seeing her again. At this moment a raven alighted on a tree over my head, and I cried, "Oh, Raven! My mammy name Sarah, just lak old mistress name Sarah. Tensions ran high during the Congressional debates over slavery and many politicians made personal attacks on those who opposed their ideology. From the Cover of "The Barbarism of Slavery," Some of the most egregious events come from the debates over the Compromise of when Mr.

Benton rose at once from his seat, and. There are instances in the history of the Senator which might well relieve a man of honor from the obligation to recognize him as a fitting antagonist. I do not denounce him as a coward. Sumner explains that this was not the last time that a challenge was presented within a speech in the Senate chambers. Let Senators who are so clamorous for "the enforcement of laws," begin by enforcing the statute which declares the Duel to be a felony. At least, let the statute cease to be a dead letter in this Chamber. But this is too much to expect while Slavery prevails here, for the Duel is a part of that System of Violence which has its origin in Slavery.

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Phillips praises the stage interpretation for its ability to present a message to its audience that other members of the community were reluctant to express:. The theatre, bowing to its audience, has preached immediate emancipation, and given us the whole of "Uncle Tom"; while the pulpit is either silent or hostile, and in the columns of the theological papers, the work is subjected to criticism, to reproach, and its author to severe rebuke. From the Cover of "Uncle Tom in England," She does not preach a sermon, for men are accustomed to nap and nod under the pulpit: she does not indite a philosophical discourse, for philosophy is exacting, is solicitous for truth, and scorns exaggeration.

Nor does the lady condescend to survey her intricate subject in the capacity of a judge, for the judicial seat is fixed high above human passion, and she is in no temper to mount it. From the Cover of "Black American Joker," In such cases let me warn the amateur against indulging in any action displaying the least trace of vulgarity. In playing a female role, even in a negro farce, it is better to under-act than over-act. In regular minstrel companies all the characters are played with black faces. I advise amateurs to follow this rule, as a white-face character in a negro minstrel entertainment is decidedly out of place.

William Lloyd Garrison called for an immediate end to slavery in America. This position, echoed in his abolitionist newspaper, The Liberator , placed him at odds with other abolitionists—even those working with him in the American Anti-Slavery Society. Westlake, general editor Philadelphia: University of Pennsylvania Press, , , , Accessed January 10, The debates are evenhandedly summarized by Riggio in the introduction to the reissue of the Pennsylvania Sister Carrie. He also notes their exhaustion, a conclusion echoed shortly afterward by both West and Pizer.

Black White and in Color Essays on American Literature and Culture

See Thomas P. Jerome J.

The Editing of American Literature, 1890-1930: Essays and Reviews The Editing of American Literature, 1890-1930: Essays and Reviews
The Editing of American Literature, 1890-1930: Essays and Reviews The Editing of American Literature, 1890-1930: Essays and Reviews
The Editing of American Literature, 1890-1930: Essays and Reviews The Editing of American Literature, 1890-1930: Essays and Reviews
The Editing of American Literature, 1890-1930: Essays and Reviews The Editing of American Literature, 1890-1930: Essays and Reviews
The Editing of American Literature, 1890-1930: Essays and Reviews The Editing of American Literature, 1890-1930: Essays and Reviews
The Editing of American Literature, 1890-1930: Essays and Reviews The Editing of American Literature, 1890-1930: Essays and Reviews
The Editing of American Literature, 1890-1930: Essays and Reviews The Editing of American Literature, 1890-1930: Essays and Reviews
The Editing of American Literature, 1890-1930: Essays and Reviews The Editing of American Literature, 1890-1930: Essays and Reviews

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